1 of 2

queenofthecrop.co.uk

Didn’t you dig the way I rubbed your back girl?

Wasn’t it cool when I first kissed your lips?

Was it enough to penetrate your dark world?

Or were you embarrassed about the way you freaked?

For those who don’t know, those are the opening lyrics to the alluring and jam-worthy song, “Till The Cops Come Knockin‘” by Maxwell. Not only is it one of my favorite songs by the sultry singer, but with him writhing on the floor in the video in front of his muse, it was definitely one of my favorite videos by the brotha too. In fact, pretty much anything Maxwell does, I’m a huge fan of. Though I got on the Maxwell train late in life (I was still in elementary school–not even junior high–when he dropped Urban Hang Suite), that hasn’t stopped me from having all of his CDs on my computer, and it didn’t stop me from running to the store the day BLACKsummers’night was released after his eight-year hiatus. You could say that in the eight years he had the chance to do his own thing, cut off his hair and live life like any every day 9-5 working individual running errands and trying to mind their business, I had eight years to get fully acquainted with his amazing work–and his fine self.

Being a big fan, and one who often does the Evening Eye Candy slideshows on Monday nights for the site, I decided to show Max some love. In the slideshow, I tried to do a progression of what he looked like early in his career, to what the brotha looks like now–still fine and aging like a fine wine. But to show pictures of the past, you have to be reminded of the loveliness that was his afro. Many men have worn an afro and looked…aight, some hot, but there was something about the way it added to Maxwell’s personality  that was just so alluring. It helped him stand out in a time where male R&B singers and rappers damn near looked the same. I didn’t want to ask the same obvious question of, “Isn’t he fine, ya’ll?” when I posted the picture on Facebook and Twitter, so I posted an old pic of the man and asked our followers if they loved him with the fro, without the fro, or love the brotha no matter what? I meant no harm by the question, and I knew it would start a good conversation.

Flash forward to near the end of that week when my co-worker text me to let me know that Maxwell, the REAL thing, tweeted MN about the slideshow. I was standing in a dressing room at H&M jumping around in excitement. My text went something like this:

ME: “SAY WHAAAAAAAAAAAAT!?  What did he say???”

FRIEND: “Cuz you asked the fro question…He said “we gotta move forward, nothing worse than using a visual crutch…makes the music cheaper, a stunt” Loool cuz our followers were blowing his timeline up!”

I definitely wasn’t expecting that response, and knowing that the question possibly upset one of my favorite singers, I felt pretty bad. But that was until my friend gave me the real deal: “We love him but needs to stop playing. How you gon’ sing songs about sex and then think women aren’t going to look at you? Boy please. Since when has music been just about the auditory?”

After she shared her opinions with me, I thought she had a profound point. In my mind, I see nothing wrong with singers and artists selling sex–even if just occasionally–to fans to get them entertained, excited, and on their side. But I have a problem when these same artists talk about how they feel the attraction towards their looks, body, booty or whatever, is a distraction from their talents and music. Nicki Minaj once said that she wasn’t trying to be sexay (spelled like that on purpose), yet homegirl can be seen rolling around in the world’s tiniest bikini in her video to “Starships,” or popping her booty RIGHT IN FRONT OF THE CAMERA in videos like “Stupid H*e,” and “Dance A** (Remix).” You can’t be a sex symbol if you keep your clothes on and your booty still, folks. I’m just saying.

Hello Beautiful

But as my friend pointed out, I think the concept of being a sex symbol is even harder to grasp for men. Sadly, women are more used to being looked at as sex objects and objectified in magazines and music videos that when female artists realize that they’ve become one, they ride the new classification until the wheels fall off. But when a man, who doesn’t have to get butt naked but only needs to look good, sing a couple of alluring songs, give the eye and flash a muscle or two, becomes one, they don’t know how to deal and get upset with their fans. While Maxwell could be the gentleman (see another favorite of mine, “Get to Know Ya“), in his concerts (I’ve been to two shows), what gets his fans’ attention the most and gets them riled up is when he sings “Till The Cops Come Knockin,” turns a red light on on stage and turns around, booty facing the crowd, and starts shaking. That. Thang.

D’Angelo took things a step further when he ditched the long leather jackets, sitting behind a piano and wearing big, bulky clothes, for going the full monty on screen. I’m talking, “How Does It Feel.” D’Angelo was fine from the very beginning, when it was just him and his piano during the Brown Sugar days. But the minute D stepped in the light on that video set, showed off a fancy new six pack and put the camera right above his yoo-hoo, he brought in a new legion of fans with a slew of new expectations. It didn’t help that when he did the Voodoo tour, he didn’t have a real shirt on. In a recent article with GQ, the singer explained that he became disheartened by requests to “Take it off!!!!” and even had a fan throw money at him like her a** was at Chippendales:
“One time I got mad when a female threw money at me onstage, and that made me feel fucked-up, and I threw the money back at her,” [D’Angelo] says. “I was like, ‘I’m not a stripper.”

From there, many female fans were more obsessed with his body than his body of work. And after that video, asking people to focus on the music (Voodoo WAS an epic fusion of R&B and funk from an array of influences–please check out “One Mo’ gin”), was damn near impossible, especially when he would come out on stage with his pecs, abs and arms glistening. It was like screaming “F**K ME!!!!!” as the chorus to a track and then asking folks why they missed the message of the song. Uh, good luck with that, champ. And the fact that to this day, the director of the video pretends the video had nothing to do with sex, when the song itself has D talking about making folks moist between their thighs, is a laughable defense.

D’Angelo became SO disheartened at his new sex symbol status, that the singer told Questlove that when the tour was over, he planned to get fat, grow a beard, drink and go hide in obscurity in the woods. With the exception of the latter, that’s exactly what he did. And even when he returned, a bevvy of chicks (not true fans) weren’t 100 percent satisfied with D’Angelo’s return because he didn’t look like he did that fateful day he made such an epically beautiful video, one he probably deems an epic fail nowadays.

So I say, though it’s hard for male singers like Maxwell and D’Angelo, hell even actors like Idris Elba, to wear their sex symbol crowns, it’s a price you pay when you use sex to get ahead–whether you’re singing about, making videos butt naked, or having women’s jaws drop when you pop up on screen in your underwear only. But if you’re truly talented, you should know that your real fans are always going to be down to ride, and will see your music as the thing of most importance, your looks as an added perk to the package. As far as Maxwell goes, his voice and music has always been enough for me, but when he often sang songs about love making, or even just crooned to the women-folk (“Fortunate” is EVERYTHING), it forced his fans to put their attention not only on what he sounded like, but also on what he looked like, and with his fluffy fro, to many, he was fine as hell.  But if you ask me, to answer my own question, I adore the guy either way–with or without the fro. Just don’t get mad at a sister for reminiscing about it from time to time…

More on Madame Noire!