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This past weekend, Beyonce and Jay Z concluded their “On The Run” Tour in Paris, France. With a surprise appearance from Nicki Minaj to Jay Z igniting pregnancy rumors and the couple professing their love to one another, The Carters’ tour’s finale ended with a “Bang,Bang.”Although the tour  is over, fans can enjoy the power couple’s silent short film trilogy called “Bang, Bang.” Set in the 1960s, the film revolves around two American outlaws who are on the run in a California desert. In the film, Beyonce is a lounge singer who falls in love and runs away with Jay Z’s character whose occupation is yet to be determined. Along the way, we see the couple visiting a diner where a man is reading a newspaper where the couple’s Most Wanted picture is on the front page. Jay Z’s character puts out his cigar in the man’s burger and the couple exits the diner in an urgent fashion.  The  two can be seen speeding off into the sunset in their Pontiac, while “To Be Continued,” appears on the screen.  The director of “Bang, Bang,” Dikayl Rimmasch, did an interview with  about what it was like working with music’s number one power couple. Here are highlights from his interview:

What were you immediately looking to capture with these films?
Dikayl Rimmasch: What is it about when you watch Godard’s Breathless? What is it with French new wave that everyone responds to? It is a magical moment in cinema, and the whole point of it was to not be so encumbered by the production that Hollywood and France had adopted. It was a resistance to that machine. Jay’s a New Yorker. He came up through everything and I really trusted that he would get that. I went into the shoot with that mentality.

You shot at a breakneck speed over the course of only two days. What was that process like?
DR: Just before we started shooting on the first day, I was introduced to Beyoncé and Jay Z in their trailer. They didn’t really know what I was going to do, so I said, “I’m going to shoot for five minutes. Were going to process the footage, I’ll bring it back for you to look at it and that’s basically what the footage is going to look like.” We picked a very particular, beautiful moment with Beyoncé in the mirrors, we processed the footage in a couple minutes and brought it back, and she thought it was beautiful. Jay Z came out and we shot for five minutes, with him and the cigar, and did the same thing. I was shooting with these old Russian lenses, there was no monitor, there wasn’t anyone standing behind me and we started cranking along like that.

How did you work the Bonnie and Clyde story in a new way?
DR: In my first conversation on the telephone with Jay Z he explained his concept of On the Run. He said: “We’re not trying to do this literally, it’s not that we’re Bonnie and Clyde. O. On the run from becoming a cliché. On the run from doing the same thing again.” Everything he mentioned was a level of consciousness he has for staying alive as an entertainer and as a human being. He wanted to keep it more abstract because for him it was very abstract. How do you stay new, not just to your audience but also yourself?

What did you take away from the experience?
DR: Beyoncé and Jay Z are two very intelligent, insightful and thoughtful people, in an almost low-key way. Which is how they got to where they are. They are very aware of people’s attitudes and what energy they are bringing. Once you fully realize that, then the pressure comes off and you just have to do what you’re good at.

Below you can watch “Bang, Bang” Part One. Catch Part Two tomorrow at the


Beyoncé and Jay Z: Bang Bang, Part One on

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