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If you know anything about Kanye, you know that it’s not everyday that he sits down to talk to the media. It’s quite rare. And after reading his interview with the New York Times, I can easily see why West would be concerned that his words might be misinterpreted. He thinks and speaks in ways that can easily be manipulated. So it makes sense, for clarity’s sake that Jon Caramanica, the journalist who interviewed West, would stick to a simple question and answer format to avoid any confusion.

In the interview Caramanica and West discuss everything from the Grammy snubs, the infamous Taylor Swift incident, his love for Kim, his thoughts on fatherhood and his concept of family now that his mother’s passed.

Essentially, the interview covers everything you always wanted to know…even if the answers may leave you wanting. Check out some of the highlights below.

On fighting for what’s right in music

When your debut album, “The College Dropout” came out, the thing that people began to associate with you besides music was: Here’s someone who’s going to argue for his place in history; like, “Why am I not getting five stars?”

I think you got to make your case. Seventh grade, I wanted to be on the basketball team. I didn’t get on the team, so that summer I practiced. I was on the summer league. My team won the championship; I was the point guard. And then when I went for eighth grade, I practiced and I hit every free throw, every layup, and the next day I looked on this chart, and my name wasn’t on it. I asked the coach what’s up, and they were like, “You’re just not on it.” I was like, “But I hit every shot.” The next year — I was on the junior team when I was a freshman, that’s how good I was. But I wasn’t on my eighth-grade team, because some coach — some Grammy, some reviewer, some fashion person, some blah blah blah — they’re all the same as that coach. Where I didn’t feel that I had a position in eighth grade to scream and say, “Because I hit every one of my shots, I deserve to be on this team!” I’m letting it out on everybody who doesn’t want to give me my credit.

You want the historical record to be right.

Yeah, I don’t want them to rewrite history right in front of us. At least, not on my clock. I really appreciate the moments that I was able to win rap album of the year or whatever. But after a while, it’s like: “Wait a second; this isn’t fair. This is a setup.” I remember when both Gnarls Barkley and Justin [Timberlake] lost for Album of the Year, and I looked at Justin, and I was like: “Do you want me to go onstage for you? You know, do you want me to fight” —

The Taylor Swift incident 

But has that instinct led you astray? Like the Taylor Swift interruption at the MTV Video Music Awards, things like that.

It’s only led me to complete awesomeness at all times. It’s only led me to awesome truth and awesomeness. Beauty, truth, awesomeness. That’s all it is.

So no regrets?

I don’t have one regret.

Do you believe in the concept of regret?

If anyone’s reading this waiting for some type of full-on, flat apology for anything, they should just stop reading right now.

But that is something that you apologized for.

Yeah, I think that I have like, faltered, you know, as a human. My message isn’t perfectly defined. I have, as a human being, fallen to peer pressure.

So that was a situation in which you gave in to peer pressure to apologize?

Yeah.

So if you had a choice between taking back the original action or taking back the apology, you’d take back the apology?

You know what? I can answer that, but I’m — I’m just — not afraid, but I know that would be such a distraction. It’s such a strong thing, and people have such a strong feeling about it. “Dark Fantasy” was my long, backhanded apology. You know how people give a backhanded compliment? It was a backhanded apology. It was like, all these raps, all these sonic acrobatics. I was like: “Let me show you guys what I can do, and please accept me back. You want to have me on your shelves.”

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