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While Wale was somewhere talking to MTV about why he didn’t appreciate Kelly Clarkson’s comments about Miguel and his performance at the Grammys on February 10 (“Miguel, I don’t know who the hell you are, but we need to sing together. I mean, good God. That was the sexiest damn thing I’ve ever seen.”), Miguel was somewhere NOT tripping, and in fact, hobnobbing with his idols and soaking in the success of his Grammy night. Billboard magazine crowned him the Breakout Star of the whole star-studded evening after he captured everyone’s attention and admiration with his stripped down performance of “Adorn” with Wiz Khalifa. It was so well-received that sales for the single were at their highest thanks to a 229 percent increase. Plus, he won best R&B song for the track.

Billboard caught up with the singer a few days later to speak on how his performance in the aisle came to life (which some thought was a downgrade *cough* Wale *cough*), breaking down whether he did or didn’t work with Beyoncé recently, touring with Alicia Keys soon, and why his popular song “P**y is Mine” from Kaleidoscope Dream had his girlfriend giving the side eye. Here are a few highlights:

When asked about how his last-minute performance came to life and how he ended up in the aisles and not on the stage, and he says that in the end, his performance placement was genius:

“A week-and-a-half out we knew that we could perform. I wanted to make an intimate thing but I had a bigger vision about the crowd. I got to tip my hat to [telecast producer] Ken Ehrlich-he really had the vision. I did want it to be a stripped-down performance, and it really was genius of him to put us in the aisle.”

He also discussed how “Adorn” almost became a deep cut on his EP last year, until his A&R said he should release it as a single:

“In late 2011 I was like, “I’m going to put out a series of micro EPs.” I just knew I wanted to put out free music and make it very quality vs. quantity, very personal. Make the whole thing a personal creative process from the artwork to the painting to the design to the production and writing-just for the people who discover music like I do online or my favorite blogs. We put out the first one at the top of February of 2012, and “Adorn” was on that and it got quite a buzz. It got a great response and Mark Pitts, my A&R, was convinced that it should be a single and I was excited, but I was like, “Are you sure this could work?” He was like, “Man, that s**t is going to kill.” And he was right.”

Out of all the love songs and jams on Kaleidoscope Dream, Miguel was asked what influence his girlfriend had on them, and what she thought of ’em. One song in particular didn’t necessarily light her fire off the top, but the meaning behind it is pretty beautiful:

“P**y Is Mine” was not her favorite song. That whole song was freestyle. What makes it interesting is the juxtaposition of ego and vulnerability. It’s kind of rolled in this vulnerability, wanting to claim it — “Tell me that it’s mine” — but it’s also out of this vulnerable need: “I want to feel I’m the only one in this moment.” I’ve really been there. It felt like such an honest moment.”

Lastly, Miguel opened up about the rumor that he was working with Beyoncéon her next album after he snapped a pic with the singer and put it on his Instagram. While that time in the studio together never really happened, he would love it:

Have I worked with Beyonce? [laughs] I was really nervous to ask her, that was all, I just asked her to take a photo with me and she was really sweet about it. That’s all I can say. I’ve honestly never worked with Beyonce. It would be awesome, though, I would love that.

Check out the full interview at and pick up the newest issue to run your fingers through it.


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