All Articles Tagged "maya angelou"
Update: The dedication ceremony for Maya Angelou’s stamp took place today, and the Forever Stamp is officially for sale. However, it looks like there’s an issue with the quote. According to The Washington Post, the stamp features a line — “A bird doesn’t sing because it has an answer, it sings because it has a song” — that was actually written by another author, Joan Walsh Anglund. While Angelou has said the words and they are reminiscent of her famous book I Know Why The Caged Bird Sings, she never actually wrote this.
In an email, a US Postal Service spokesperson Mark Saunders told WaPo, “Had we known about this issue beforehand, we would have used one of [Angelou’s] many other works. . . . The sentence held great meaning for her and she is publicly identified with its popularity.”
For her part, Anglund doesn’t seem too upset by the error. But still… sigh.
— U.S. Postal Service (@USPS) April 7, 2015
Will you be getting yours?
Update by Tonya Garcia
Originally posted February 23, 2015
Last Spring, when the beloved Maya Angelou passed, Twitter campaigned for the U.S. Postal Service (USPS) to honor the iconic poet with a stamp to immortalize her heart-touching legacy for years to come. Fast forward to the present and Ms. Angelou’s got herself that stamp!
“Stamps have featured people for their notable accomplishments in the arts. They have included American heroes, but one is missing. Maya Angelou was influential in so many ways,” the petition wrote. USPS has responded:
“Maya Angelou inspired our nation through a life of advocacy and through her many contributions to the written and spoken word,” Postmaster General Megan J. Brennan said in a press statement. “Her wide-ranging achievements as a playwright, poet, memoirist, educator, and advocate for justice and equality enhanced our culture.”
This commemoration comes right after the USPS honored MIT’s first African-American graduate, Robert Robinson Taylor, in mid-February. The Black architect and educator was sworn in as USPS’ 38th stamp in the Black Heritage series.
“Over the course of nearly 40 years, Taylor designed dozens of essential buildings, including libraries, dormitories, lecture halls, industrial workshops, and a handsome chapel, transforming a makeshift campus on an abandoned plantation into a confident, state-of-the-art institution,” USPS said of Taylor, who graduated from MIT in 1892.
The stamp, which can be purchased starting from $1.96, features a photograph of a 22-year-old Taylor circa 1880 as a student at MIT.
As for Angelou’s Fovever Stamp, that’s still under wraps; the stamp ceremony will be announced.
Angelou, best known for her I Know Why the Caged Bird Sings memoir, died on May 28, 2014 at the age of 86. Her countless achievements include delivering her On the Pulse of Morning speech at President Clinton’s 1993 inauguration and her Presidential Medal of Freedom award, given to her in 2010 by President Barack Obama.
(And to see more of the 2014 MN Bosses, highlighted in the image above, click here.)
Today’s spotlight is on Maya Angelou, THE PHENOMENAL Woman-Phenomenal meaning exceedingly or unbelievably great. She was born in a time when racial prejudice and discrimination was the “norm”, product of a broken home, raped and traumatized at the tender age of 7, spent 5 years as a mute, high school dropout, and a teenage mother at the age of 16. All of these life experiences would lead one to believe this young girl was destined for hardships and struggles, one would write her off to be a victim of circumstance, never to contribute anything positive to society. However, when you are PHENOMENAL you grow from negative experiences, you achieve the unthinkable, you become who you believe you were born to be, and you share and help others achieve the same.
Born Marguerite Annie Johnson, but known as Maya Angelou, is all of these things and more. She is an award-winning author, poet, civil rights activist, political activist, screenwriter, actress, director, member of the Harlem writers Guild, dancer, teacher, lecturer, and mother. She had a gift of touching souls and hearts through her writing, speaking and having the ability to be vulnerable, relatable yet strong and unwavering. We know that when caged birds sing, the melody can be beautiful even though the song may be of pain, struggle, hardships and road blocks. Maya Angelou reminds us that no matter our life circumstances, we determine our outcome. I personally have been inspired by her life story, challenges and triumphs. Her words are an inspiration to heal, love, grow and know your self-worth. I salute and appreciate your contribution to positively influencing our world.
#InstaQuotes: 15 Inspiring Messages From Maya Angelou
“My Journey With Maya”: Tavis Smiley Turns His 30-Year Friendship With Maya Angelou Into A Stage Play
In having a 30-year-friendship with the late, great Maya Angelou, it’s no surprise that Tavis Smiley has gathered years of legendary inspiration to create a new play in Angelou’s honor called My Journey With Maya, the Associated Press reports.
Smiley, a widely renowned author and political commentator, will be joining forces with Tony Award-winning director Kenny Leon to bring Smiley’s cherished experience with Angelou to life on stage. Smiley was 21 when he first met Angelou, author of the acclaimed I Know Why a Caged Bird Sings, in the mid-1980s when she was 58.
“We find our path by walking it,” Angelou told Smiley repeatedly over the years, he recollected. The revered poet, according to Smiley, also told him that “nothing human is alien to me.”
“That was her way of saying, ‘Live your life on your own terms. Don’t be afraid to try anything. Experience everything,'” Smiley said.
The play is based on Smiley’s book, My Journey With Maya, which details Angelou’s profound impact on his life:
“Smiley stumbled into a relationship with her that shaped his future and affected the man he became. Like a mother to him, she was generous, challenging, and inspirational–as she was to so many. Here he shares his portrait of Angelou–a highly complex individual who left an indelible imprint on American culture,” the book description said.
But it wasn’t all roses and sunshine. Smiley notes that there were some rocky moments between him and Angelou, as well. The revered writer, for example, was “alarmed” with Smiley’s sharp comments about Democratic nominee President Barack Obama as he geared up to take his seat in the White House in 2008.
“Smiley said he defended his obligation to hold all candidates up to scrutiny, and his friendship with Angelou remained intact,” AP reports.
Leon, who is currently directing Broadway and TV versions of the 1970s hit musical, The Wiz, can’t wait to get his hands on this stage project:
“I haven’t been this excited by a project in a long, long time,” Leon said. “I don’t think there is another person like her in my lifetime or in the last 100 years of American artistry and literary achievement.”
Knowing her for almost three decades, Smiley is convinced that Angelou that “the greatest renaissance woman in Black America.”
Will you be checking out My Journey With Maya?
It’s true, we don’t nourish our spirits enough. We recently put together a list of 15 spirit mending things to try and on that list included taking time out to listen to an uplifting or encouraging audiobook. As a busy mom, there’s no telling when you’ll have time to actually read a book, so why not listen to one? Click continue to check out 15 great audiobooks to buy from Maya Angelou to Steve Harvey.
Good For the Soul: Uplifting Audiobooks To Mend Your Spirit
We are kicking off our celebration of Women’s History Month with one of the most prolific and wise Black woman and mothers of our time. Dr. Maya Angelou left a legacy none can compete with and her work will live a long life leaving impressions on each of us. The world continues to celebrate this icon as the U.S. Postal Service recently announced a “forever” stamp honoring Angelou. Angelou’s poems often affirmed what it meant to be a woman- to be phenomenal and ever-evolving.
Angelou was not confined to the title of poet, but also wore the hats of professor, Calypso dancer, film director, Tony-nominated performer, as well as an official with the Southern Christian Leadership Conference. She also received the Presidential Medal of Freedom in 2011. Mama Maya showed women that it was indeed possible to not only have it all, but give even more back to society. We will forever have Dr. Maya Angelou in our thoughts and use every opportunity to stand on her shoulders.
We’ve collected 19 of her revered poems for you to read. If we could include all of them, we would! Click continue and comment to let us know your favorite Dr. Maya Angelou poem, even if it’s not listed here.
19 Inspirational Dr. Maya Angelou Poems To Read Everyday
Like most people, anytime I come home for the holidays I make it a point to reunite with family and friends. And the conversation that keeps coming up again and again, with these different groups of people, is the one about Michael Brown and Eric Garner and Trayvon Martin and police brutality in general. We’re all hurt and all trying to process what is going on in our country right now.
And on more than one occasion I’ve heard my relatives ask me what really is the point of protesting? What will it change? If these marches don’t lead to legislation are we really just waiting for the imminent moment when something else starts to dominate the news cycle and we all lose interest?
I listened to their concerns and even told them that I had participated in a couple of the marches. One for Trayvon and another for Eric Garner. But I didn’t really know how to answer their question. Ultimately, what purpose does the protesting serve?
I still wouldn’t have had an answer to that question if my father, at my suggestion, had not been watching an “Iconoclast” conversation with Dave Chappelle and the late, great Dr. Maya Angelou.
As Dr. Angelou is sharing stories from her life, talking about her friendships with Dr. Martin Luther King Jr. and Malcolm X, Chappelle states that if he had lived to see two of his dear friends assassinated, he would still be angry with his country and with anyone else who had allowed this to happen. And in a fashion that we all knew and even expected from Dr. Angelou, she explained what she did, and what we should all do, with our inevitable anger.
“If you’re not angry, you’re either a stone or you’re too sick to be angry. You should be angry. You must not be bitter. Let me show you why. Bitterness is like cancer. It eats upon the host. It doesn’t do anything to the object of its displeasure. So use that anger, yes. You write it, you paint it, you dance it, you march it. You vote it. You do everything about it. You talk it. Never stop talking it.
And there was my answer. The funny thing is, I’d known this already. I felt it. After the media announced that the grand jury was not going to indict the officer who strangled Eric Garner to death, I was livid, once again. But worse than that I felt helpless.
People across this nation and our world literally watched the life slip out of Eric Garner’s body and the prosecutor, the grand jury and this country told us that it didn’t matter. Eric’s life didn’t matter and therefore we, Black people, didn’t matter. I talked my anger quite a bit after that announcement. And then I marched it. Then I talked it again with the people I interviewed, who were just as angry as I was, people so angry they cried. I watched a mother, who had just done some Christmas shopping, try to explain to her young son why they needed to be out in the cold, walking with the crowd of screaming people.
At the end of the night, after walking over 100 blocks, disrupting the flow of traffic, screaming for justice, holding my hands up like Michael Brown, and repeating Eric Garner’s dying words, I went home feeling a bit less livid and a lot less helpless.
Weeks after the Eric Garner decision, I watched an advanced screening of Selma and saw, firsthand, just how effective marching and protesting had been in the past and could be today. The film couldn’t be more any more timely as we find ourselves in the trenches of yet another Civil Rights battle. And I was encouraged. Protesting sends a message stronger than we may realize and even provides some relief for our own personal and collective pain. Plus the country and the world is watching.
I don’t know what will ultimately be the result of all of this protesting. I don’t know how many more people of color will die at the hands of the police officers who go unpunished before someone decides to enact some type of (preferably federal) legislation. But what I do know, thanks to my own spirit and Dr. Angelou’s words, is that there is value and even healing in letting the world and yourself know that you are indeed angry.
So I finally watched OWN’s premiere of Dr. Maya Angelou new music video for “Harlem Hopscotch” and it got me seriously wondering to Sal, “how come you ain’t got no brothers up on the wall here?”
If you haven’t seen the video, you can check it out above. In fact, I implore you to watch it first, before continuing this essay. If the name of the song and lyrics sounds familiar, the song is really a re-conceptualized version of Dr. Angelou’s 1969 poem of the same name. According to BET.com, the song is the first single from Dr. Angelou’s posthumous 13-track album called Caged Bird Songs, which was released last month. The album, which was produced by both her estate and RoccStar and Shawn Rivera (formally of the group AZ Yet), features Dr. Angelou’s vocals and poems over pop and other contemporary beats.
Rolling Stone wrote a brief article about its release in October and included a free listen of album, if you’re interested. Apparently the album was a dear project of the late poet, writer, dancer and activist. And as quoted in the Rolling Stone article, Dr. Angelou said of the importance of the album: “It’s woven into the tapestry of our lives, and we’re being serious and giving and kind about it. So obviously, it’s going somewhere. And we have to release it to go there.”
According to the BET.com article, the video, which was directed by Emmy Award-winning duo Tabitha and Napoleon Dumo and premiered on Oprah.com the Tuesday before Christmas, is said to use “dance to interpret Dr. Angelou’s inspirational poem about persevering through life’s challenges.” But in spite of its aim, it’s actually hard to see how video actually corresponds with the poem itself. For one, while it is true that some parts of the video were filmed in Harlem, New York, particularly the beginning; the rest of the video takes places in other locations far outside of the track’s namesake, like Hollywood and Los Angeles.
In fact, we would be hard pressed to see any bit of “Harlem” in this video. I mean, it is there, but sparsely and it looks a lot like the newly gentrified Harlem with the high rents and higher incomes than the one Dr. Angelou wanted us to know about in 1969. In fact, the main focus of the video is a bunch of smiling faced, happy feet celebrities, including Alfonso Ribeiro, Zendaya and one of the dance crews from So You Think You Can Dance and America’s Best Dance Crew, who dance along side of chorus line of mostly smiling White faces in the streets of Hollywood.
Now granted, I can appreciate the fact that lots of people of various colors and ethnicities also appreciated Dr. Angelou’s work. And I can also understand that the Phenomenal Woman belongs to us all. But that’s the thing: there is a difference between appreciation and straight up white-washing over the woman’s work in order to not offend some folks’ sensibilities. White folks’ sensibilities. And for that reason, I kind of have a huge problem with this music video.
For more clarity, let’s look at the poems stanzas:
One foot down, then hop! It’s hot.
Good things for the ones that’s got.
Another jump, now to the left.
Everybody for hisself.
In the air, now both feet down.
Since you black, don’t stick around.
Food is gone, the rent is due,
Curse and cry and then jump two.
All the people out of work,
Hold for three, then twist and jerk.
Cross the line, they count you out.
That’s what hopping’s all about.
Both feet flat, the game is done.
They think I lost, I think I won.
Without previous knowledge of the “Harlem Hopscotch” poem, it would be easy to conclude all sort of whimsical irrelevancy to the current “Harlem Hopscotch” song. The danceable beat and upbeat tempo of the song does help sell the theme. And in fact, the music video does a good job of playing up the whimsy angle of a game of hopscotch without any mention of the poem-now-song’s deeper meaning. To be even clearer: the poem/song is actually about poverty – Black poverty to be more exact.
A good and simple analysis of the poem comes courtesy of this blog post, which writes in part:
“Harlem Hopscotch” adds a whole different meaning behind the actual game of hopscotch, being that fact that this game is being played in a community full of poverty. Usually when one plays a game, in this case hopscotch, it can almost always be associated with fun. However, in this scenario the game is to teach the children a lesson of the rough times in life, letting them know not to expect good things. Comparing poverty and struggle to a game of hopscotch emphasizes the real meaning of poverty in the sense that a game of hopscotch is looked at with complete innocence, according to Sparknotes.com. Racism is tied into the poem because of the fact that the game the children are playing takes place in an extremely poor black community, Harlem. “Since you black, don’t stick around”, line 6 from the poem, exemplifies racism because the whole point of the game is to move forward, and this line commands the question of who should move or not. There are many different ways to interpret the theme, and many different ways to state what the theme is. The overall theme that is clearly expressed is childhood poverty, struggle, wealth, work and leisure in the African American culture.”
All of which is not featured in the video.
And I get it: poverty is depressing. I mean, who really wants to watch a video of some sad-face poverty stricken Black kids, playing chalk hopscotch in the age of Playstations and iPads? Nobody. I don’t even believe Dr. Angelou intended that with the poem when it was drafted in 1969 – at likely the height of poverty in Harlem. But when the alternative is to create visuals of a multi-racial bunch of celebrities as well as random White people dancing in streets, which are not Harlem, we kind of gloss over what Dr. Angelou really wanted us to pay attention to in the poem.
And intentions matter. No one convinced us of that more than Dr. Angelou herself, who a few years before her passing, publicly denounced the Dr. Martin King Jr. Memorial for how the statue’s inscription misrepresented the civil rights leader’s words for the purpose of brevity and space. In many respects the washing over the poem and now song’s theme is guilty of that same misrepresentation.
Unlike what the description for the video would have you believe, this was not an inspirational poem “about persevering through life’s challenges,” but rather this was an inspirational poem about Black people preserving through poverty and racism. And as good stewards of Dr. Angelou’s legacy, intention as well as the issue of Black poverty and racism in general, we should not allow those themes to be written out of the narrative.
These celebrities we lost in 2014 will surely be missed and includes iconic author and poet Maya Angelou, stellar comedian Robin Williams and natural haircare pioneer Titi Branch.
15 Celebrities We Loved and Lost in 2014
Since her passing at age 86, author, poet and inspiration Maya Angelou has received an outpouring of love and respect from family, friends and fans all over the world. While her words will live on forever, she was also known as an awesome host and her passion for food was documented in her two cookbooks: Hallelujah! The Welcome Table: A Lifetime of Memories With Recipes, was full of her Southern favorites from her grandmother’s kitchen, published in 2004. A few years later, in 2010, her next cookbook Great Food, All Day Long: Cook Splendidly, Eat Smart featured more healthier options, still with amazing flavor.
You’ll love these Buttermilk Biscuits, and you might want to pair them with Maya’s Cold Potato Salad and Roasted Chicken, which you’ll find the recipes for below. Although many of us think of potato salad as picnic fare, who says your tablecloth has to be spread out on the lawn? Maya Angelou’s Cold Potato Salad boasts plenty of flavor — a perfect accompaniment to a baked ham sandwich or on an upcoming buffet. Enjoy!
Breakfast From Maya: Maya Angelou’s Buttermilk Biscuits, And More!
“If your man got a problem with your stretch marks, I suggest you stop fucking with b***h n****s.”– Katt Williams, comedian
First and foremost, please excuse the crass verbiage in the above quote from my dear brother Katt Williams. In my many years of maturing into grown a** manhood, this statement probably encapsulates much of the mentality one needs in understanding the beauty of a real woman.
Let me preface this with the following. I have had an eternal crush on Jill Scott since her first album, Who Is Jill Scott, dropped in the seminal year of 2000. I’ve listened to her glorious voice for thousands of hours, met her on a few occasions and interviewed her once. During the coveted BET Experience and Awards Gala earlier this year, I was blessed with the opportunity to again see Jill perform at the Staples Center in L.A. My boy Terry and I gazed above, “Now, that’s a woman.” She was poetic in her singing, her presence was powerful and she defined curvy in a form-fitting black dress. She owned the crowd and, by the time Maxwell came on, we were ready to go.
I am fiercely protective of Jilly (my cute nickname for her) too, even though…yeah…I don’t know her. But, I do.
In a great many ways, Jill Scott represents every Black woman. She’s absolutely beautiful. She’s not rail thin. She’s supremely talented. And she’s decidedly Black. And yet, when the unwittingly salacious image of her emerged (she has denied that a nude image is her), I heard through the tweetvine, that people were being sickeningly disrespectful. I admit, I looked by accident. It was emailed to me, along with a bunch of overly enthusiastic friends. I also confess, I liked what I saw. It never occurred to me that her selfie image is one that anybody could hold contemptuous thoughts about. I didn’t read a single tweet or comment that talked about Jilly in a negative fashion. I don’t run with those types.
“This ain’t no movie, man. I’m a real woman. Been down this road before.” – Jill Scott on “So Gone (What My Mind Says)”
I’ve deduced Jill’s so-called detractors must be a) fully, utterly colonized mentally, b) still young enough to drink from a sippy cup, c) never met a real woman or d) a b***h n***a, as Katt Williams so eloquently put it. Again, excuse the colloquialism, but it really does serve this conversation so well. Real life isn’t a rap video chock-full of vixens or a magazine spread. Real people have stretch marks!
Moreover, Black women have been besieged – psychologically assaulted even – for centuries by a Eurocentric standard of beauty that flourishes to this day. This is why actress Jennifer Lawrence (who I’m a huge fan of) catches no flack and Jill catches hell. And, a lot of these nameless, faceless people are Black. This is how deep the self-hatred is. You diss Jill, you’re dissing yourself. Or your mother. Your auntie. Sister. Queen.
Thank goodness, Jilly from Philly – like most Black women – is mightier than they think. She’s prettier than they realize. And, she’s greater than they can ever imagine. She’s ours.
“I will not be bowed. I have earned every inch of my life. What you see, you cannot touch.” – Jill Scott, in the aftermath of the invasion of her privacy
Men themselves have wondered
What they see in me.
They try so much
But they can’t touch
My inner mystery.
When I try to show them,
They say they still can’t see.
It’s in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I’m a woman