All Articles Tagged "hip hop"
Hailing from California, Luke Christopher and his infectious smile captivated us while we interviewed him about his budding music career. Growing up in a biracial household, Luke Christopher mixed various genres together to create his own sound. As a self taught musician, Luke Christopher’s claim to fame has been to blur the lines in music. Therefore, his personal edge has been covered through working with artists such as Wiz Khalifa, Common and Usher to name a few. In this intimate interview with the L.A. crooner/rapper he details how he entered the music industry, deals with groupies and is changing the West Coast sound.
How did you get you start in the music industry?
I started writing song on GarageBand back in the day, when I was 12 years old. My brother and cousin would create music with me on the program but to be honest, we were just messing around. We would take nursery rhymes and turn them into raps. Then at some point, they started to do their own thing but I stuck with creating tracks on it. I started rapping when I was 13 and I started singing when I was 15 and producing. I didn’t have anyone to sing on my hooks, so I began to just do it all and it worked out to being a blessing.
Who would you like to work with currently, or in the future?
I definitely would like to work with Andre 3000, James Blake, Regina Spector, Mos Def and Kanye. I really like what Pharrell is doing right now; to be honest I am really drawn to artists who are extremely creative.
Every Tuesday, you promised to release a song. Have you lived up to that goal?
My team and I have released 15 weeks worth of Tuesday “singles” of original songs and some of them are samples.
Creatively, how does that affect you as a writer?
By releasing a new song every Tuesday, it has been a cool exercise. Every single week, you have to create something different. None of the songs sound the same and I notice my fans realize that. They will tell me “oh snap, that new track is different and dope.”
You call your fans the TMRGang; Are they just as crazy as the BeyHive, Beliebers or other stans?
Yeah the TMRGang stands up even though they are not as big as the other fan bases but they are crazy [laughs]. But on a serious note, they love good music and that is what it is all about.
Since your status is changing due to you becoming more popular, do you feel the people around you have changed? Also, have you had any experiences with groupies?
The people around me have not changed. The homies are still the homies, because we are a team. But the groupies are coming. But to be honest it has all been all flattering, so it’s all good. Nothing too crazy [laughs].
What style of music influences you when you are in the process of creating a song?
Writing wise, it would be Stevie Wonder. Also, The Beatles, Micheal Jackson; if I am writing a rap song, I look to Pac, Mos Def or Common. I like to input wisdom in rap. I definitely go back to early Kanye too; he has been a great influence on my music.
West Coast rap has changed; do you think it should revert back to its 1980s style or do you like how it is transitioning now?
The nature of music is to change and grow, so sonically it will never sound the same again. But I like the current sound and I think it’s dope. There are a lot of artists coming out of the region now, so it is a perfect to be out there. The sound is ill and it’s like we are coming back now to take over the industry.
Check out Luke Christopher’s latest Tuesday song, “Sunny Days!”
From The Grio
Before Russell Simmons, Diddy and other rappers became fashion conscious and began making their own clothes, hip-hop style in the 90′s was distinctly designer label friendly.Iconic fashion designer Tommy Hilfiger saw the potential buying power of hip-hop culture early and recruited the era’s top acts to wear his signature line Hilfiger, including Usher, Snoop Dogg and the late Aaliyah.
Recently, the 61-year-old reflected on hip-hop’s long term impact on his lifestyle brand.
In his Bloomberg News interview, Hilfiger said rap’s influence was necessary for his business to expand, but ultimately he was following a trend.“Look, it fueled a lot of growth, but it took us away from our roots,” said Hilfiger. “When people ask me advice, I say stick to who you are. Stick to your guns. There is an image and attitude to most brands, and that’s really important. I like to stick to my heritage and not chase trends, and at that point we were chasing trends. Chasing trends was easy, but it was dangerous. It’s more important to me now to be consistent.”
Read more about Tommy Hilfiger’s brand and hip hop at TheGrio.com
Writer Tom Barnes has penned an interesting piece for Policy Mic, entitled What We Should Really Be Saying About the Rapper Who Cut Off His Penis. It’s about the unfortunate suicide attempt of Andre Johnson, AKA Andre Roxx aka Christ Bearer, who may or may not have been associated with the Wu-Tang Clan.
While his affiliation with the legendary rap crew is dubious, the internet jokes about the man, who severed his own penis before jumping from the balcony, have been plentiful. Naturally, Barnes finds the mockery objectionable. But he also takes issues with the framing of the story within the media, particularly focusing on the more sensationalized penis chopping aspect of the story instead of talking about the possibility of mental health. And not just with Johnson but with Hip Hop as a whole.
In particular Barnes writes:
“Hip-hop artists have a long and complicated relationship with mental health. Many rappers have suffered debilitating mental illnesses, but have swept their problems under the rug or hid their symptoms under the guise of drug addiction. Eminem, Kanye West and Childish Gambino have battled suffered through serious bouts of depression. Scarface tried to slice his wrists when he was 13 and was housed at a mental facility where he was heavily medicated. DMX recently admitted he suffered from bipolar disorder, as did rapper Baatin from the group Slum Village. Wu-Tang member ODB reportedly had a long struggle with mental illness, though any erratic behavior he exhibited was often dismissed as a result of his heavy drug use.
Activist and journalist William Upski Wimsatt points out, the slang re-appropriation of words like “mad” and “ill,” actually “[celebrate] mental illness.” In that way, illness becomes part of the entertainment value of the music. But most rappers coming from the poverty-stricken areas where hip-hop was born had inadequate access to mental health treatment growing up, even though they were surrounded by constant trauma. Rappers — especially young black ones — are an at-risk population we don’t talk about.
There is a romantic notion surrounding artists as tortured geniuses who relieve their anguish through creative expression. But when artists’ suffering shows its fullest extent and ends in tragedy, it’s not ok to be entertained. It’s time to face up to the facts about mental illness in hip-hop and treat it as the problem it really is.”
I found Barnes theory about mental illness and Hip Hop both compelling and a little off-putting. I agree with him that mental illness is still a topic, which seems, at times, to be taken lightly, especially when it comes to black men (but black male rappers more specifically). In general, I find that it is a lot easier to laugh at DMX – or admonish his weakness – than it is to accept the fact that he is dealing with some real issues mentally. Plus the industry as a whole (from the record companies down to the fans themselves) do seem to celebrate the rappers, who exhibit the most irrational and unpredictable behaviors.
And this goes beyond the eccentrics of rappers from the underground counter-culture. I’m talking about Gucci Mane triple scoop ice cream face. Or Charles Hamilton, the once-thought as rap phenom, who was dropped from Interscope for his “erractic behavior” and eventually checked himself into NYPresbyterian Mental Hospital after suffering a mental breakdown. Both of those instances, as well as others, garnered, among many onlookers and fans alike, more mockery than actual concern for their well-beings. And to that, I totally understand Barnes’ point.
With that said, is mental illness in Hip Hop really a problem?
The assumption Barnes seems to make here is that Hip Hop is somehow different in its approach to mental illness. Of that, I am not sure. People’s response to mental illness, particularly those creative people, who suffer from some sort of mental health issue, has always been twisted, if not self-serving. World renowned artist Vincent Van Gogh suffered severe mental illness throughout his life before finally killing himself. Nobel Prize winning statesman Sir Winston Churchill is said to have been bipolar. And grunge-metal martyr Kurt Cobain, who also suffered from mental health issues, (according to relatives), before taking his own life. In all those instances, (and many more), we are likely to talk up their talents and physical contributions to society far more than we are to delve seriously into their internalized pain and suffering. Certainly we can’t blame Hip Hop for that?
Not to mention that the whole rappers re-appropriation of words associated with negative feelings-angle Barnes raised in his piece seems like a stretch considering that “insane” and “crazy,” have been used by the general populous for years to signify other emotions outside of their original negative feelings and context. And by framing this as a “problem” within the culture, we kind of suggest that the genre itself is to blame.
Everyone who I know that has gone to therapy always talks about how journaling, or the writing down of the feelings and emotions inside, helps. So do other artistic endeavors. In fact, many mental health professionals have incorporated art into their therapy with great success. I know for my personal well being, writing is very cathartic. So I also imagine that a soundproof booth and a mic can help a troubled rapper work through or at the very least channel and express that inner angst.
Likewise, there doesn’t appear to be a shortage of rappers doing just that. Probably the most classic of examples is The Geto Boyz Mind Playing Tricks on Me, which delivered a powerful testimony about psychological breaks and paranoia. Lauryn Hill gave us erratic and imbalance realness on her MTV Unplugged Live album. And Biggie Smalls gives us the last moments of a tortured soul in Suicidal Thoughts. Most recently (like within the last month) Pharoahe Monch, another emotionally-honest rapper, released his fourth solo P.T.S.D. (Post Traumatic Stress Disorder), which is all about a man dealing with depression. I can name several more rap songs and lyrics, off the dome, which communicate very candidly a rapper’s personal bout with depression, bipolar disorder, paranoia, suicide among other mental health issues, but you get the gist.
If not then the point is, there are plenty of unfiltered narratives in Hip Hop culture, which take the discussion around mental illness – as well as their coping mechanisms to mental issues – quite seriously. The problem has always been if the consumers are really listening.
Last season of Love And Hip Hop New York, left us with tons of drama we were glad we didn’t have in our personal lives. The main story line and love triangle of LHHNY’s season 4 revolved around Peter Gunz, Amina Buddafly and Tara Wallace and during the reunion show, Amina Buddafly announced she was pregnant with Gunz’ child after he told viewers his relationship with Buddafly was a mistake. Despite these circumstances and Gunz continuously denying their relationship the two have remained together and it actually looks like Gunz might have the potential to be a decent father based on his Instagram posts.
Today he posted a sonogram picture of his and Amina’s new bundle of joy, allowing fans to pour in their love and support. In the caption for the photo he simply wrote: “My wcw… its a girl!” which is breaking news for fans who were curious about the gender of the couple’s first child together. Though we still don’t have a due date, we can’t help but wonder if their might be a premiere date in the works for some sort of Peter + Amina + baby reality show. You know Mona and VH1 love a spin-off…Either way, congrats to the happy family!
The upcoming Broadway musical inspired by Tupac Shakur songs will star Saul Williams, the poet and singer best known for the film “Slam.”
Producers said this week the rest of the cast of “Holler If Ya Hear Me” will include Tonya Pinkins, Christopher Jackson, Saycon Sengbloh, Ben Thompson and John Earl Jelks.
The musical is not a biography of Shakur but uses his songs to explore the story of two friends who live in a low-income neighborhood in the Midwest. It will feature “California Love,” ”Keep Ya Head Up,” and “Me Against the World.”
Read more about Tupac’s Musical at BlackVoices.com
It’s that time of morning again. You’ve suddenly plunged into overthinking and worrying about your next moves in life and you need something to pick up your mood and motivate you. Music is the perfect thing to do just that! Check out our mix of different songs that will both inspire and motivate you in the morning. What’s already on your playlist?
Update: Some thought it was a crazy idea. Others called the Wu Tang’s move to make just one copy of their upcoming CD and sell it to the highest bidder a brilliant marketing move. The latter turned out to be true. According to the Wu’s The RZA the bids are up to $5 million for 31-track The Wu — Once Upon a Time in Shaolin.
“Offers came in at $2 million, somebody offered $5 million yesterday,” he told Billboard, during a break from promotion work on Brick Mansions, his upcoming film with the late Paul Walker, and Gang Related, his new Fox show. “I’ve been getting a lot of emails: some from people I know, some from people I don’t know, and they’re also emailing other members of my organization.
Some fans, however, are upset since the album will never be released publicly. How do you feel?
Published orginally on March 31, 2014
The Wu-Tang Clan have always been music innovators. Now the hip-hop group might just change the way artists market CDs. The Staten Island, NY group has come up with a unique way to sell their new album.
Wu Tang Clan has a 20th anniversary album set to be released in July called A Better Tomorrow. But another upcoming new record, Once Upon a Time in Shaolin done with Morocco-based producer Tarik “Cilvaringz” Azzougarh, isn’t going to get released at all.
“Instead of releasing Once Upon a Time in Shaolin, they’re going to make exactly one copy of the double album. It will be locked inside an engraved nickel and silver box created by British-Moroccan artist Yahya,” reports Death and Taxes magazine. The album with actually going on its own tour to museums, galleries and possibly music festivals where visitors will pay to listen to it on headphones.
The double album has been a secret over the last two years, notes The Verge. After the tour, the group is looking to sell the single copy for millions of dollars.
“We’re about to put out a piece of art like nobody else has done in the history of [modern] music,” says Wu-Tang Clan member Robert “RZA” Diggs told The Verge. “We’re making a single-sale collector’s item. This is like somebody having the scepter of an Egyptian king.”
He added, “The idea that music is art has been something we advocated for year. And yet it doesn’t receive the same treatment as art in the sense of the value of what it is, especially nowadays when it’s been devalued and diminished to almost the point that it has to be given away for free.”
Since record sales have been dwindling over the years, this might just be a brilliant marketing move as well.
R&B isn’t the only soulful genre that can get you in the mood. There have actually been some pretty romantic and touching Hip-Hop love songs over the years, like these.
Jay-Z – Song Cry
“I can’t see ‘em coming down my eyes so I gotta make the song cry.”
This was the moment hip hop grew up and Hov let young heads everywhere know it was OK to catch feelings in public.
Honoring the 30th anniversary of Def Jam, Arsenio Hall kicked-off Wednesday night’s show in true Def Jam style with a hilarious spoken word performance about the woes of March Madness titled “My Bracket is Busted.”
Arsenio welcomed Def Jam founder Russell Simmons who weighed in on critical remarks made by Kid Cudi on an earlier show about the state of hip hop and its impact on black culture.
Check out the clips at EurWeb.com
If you have been feeling nostalgic about the ‘90s, fear not, because Sean Combs, otherwise known as P.Diddy, or should we say, Puff Daddy, is taking it way back for you with a new announcement.
The 44-year-old rapper and mogul decided to switch from his millennial name of P.Diddy, back to his original stage name of Puff Daddy yesterday.
The Daily News reports, Combs decided to use his old stage name for his new album MMM. The album will be the first full work the iconic producer and occasional rapper has released in four years. The name change was revealed in the trailer for an upcoming music video for his new song, “Big Homie,” featuring rappers Rick Ross and French Montana.
Tweeting from his @IamDiddy Twitter handle, Combs set the record straight for fans and followers:
— Diddy (@iamdiddy) March 25, 2014
Fans reacted to the news in one of two ways: by stating that Combs is a confused mess, or by letting him know that they never stopped calling him Puff in the first place. Not realizing how invested his fans were with his multiple aliases,
Puff “P.Diddy” Daddy Combs continued to poke fun by posting both a tweet and Instagram picture that read, “#DiddyorDaddy???”
No matter if you are on #TeamDiddy or #TeamPuffy (or don’t give a you-know-what either way), set a reminder for yourself to make sure that you watch the “Big Homie” video next Tuesday (clearly this is important to…um…Puff). In the mean time, catch the trailer for it, below.