Richard Brooks, writer Corie Murray, Gabrielle Union, Tika Sumpter, writer Mara Brock Akil and her husband director Salim Akil. Image: Fernando Leon/PictureGroup via AP Images

We tweeted yesterday about Urbanworld Digital, but, even bigger, the 16th Annual Urbanworld Film Festival kicked off last night with the opening film Being Mary Jane. Starring Gabrielle Union (number 22 on The Root 100) and written by Mara Brock Akil (number 51, who also wrote Sparkle, Girlfriends and The Game), the BET Networks movie is about a single TV news anchor (Union) making a way in her personal and professional life.

Before the movie, however, there was the red carpet (we snapped a quick pic of Gabrielle Union for the cell phone, along with the dozens of photogs and reporters who showed up for opening night). In addition to Union, Akil, BET CEO Debra Lee, Tika Sumpter, and other stars and notable names turned out for the event.

Though Urbanworld has been around for more than a decade, it’s still hard work to finance and organize the event.

“It’s definitely a comprehensive labor of love,” said Gabrielle Glore, the festival’s executive producer and head of programming, who spoke with us over the phone just before opening night. “No one is getting rich off these festivals. Not even the big ones.”

Among the big ones are, of course, Sundance, the Toronto Film Festival, which got a lot of attention this year because Kristen Stewart made her first pre-scandal debut, and Cannes. For all of these festivals, publicity — for the films, for the event itself — is important. Last night’s media turnout no doubt drums up a good deal of attention for the festival.

But more than that, sponsors are important to Urbanworld. “It’s all about sponsors,” said Galore. HBO is Urbanworld’s founding sponsor; BET is its presenting sponsor. “It lets people know that there’s some credibility. The sponsor piece is critical.”

According to Glore, it’s the marketplace that determines the level of sponsorship. “The years that have been more difficult in terms of funding, it’s about what’s happening in the marketplace,” she told us. She says they’ve already started working on the slate of sponsors for next year. The sponsors help determine festival activities, like the digital events and labs.

In addition to that, the festival operates on a strict budget.

“We’re lean and mean and we have money to make it happen,” said Glore.

Historically, Urbanworld has showcased some big-name movies. Collateral, starring Jamie Foxx and Tom Cruise debuted there. Night Catches Us with Anthony Mackie and Kerry Washington opened there two years ago. And there were the showings of both Barbershop films and Secret Life of Bees, among others.

Though many of the movies that the festival screens aren’t necessarily blockbusters on the level of Twilight, they are successful (as that list shows). More than that, they give famous actors the chance to attach themselves to indie projects that they’re passionate about. And it gives filmmakers a chance to show their work in a theater, something that many of them might not otherwise be able to do.

“We definitely don’t characterize ourselves as a black film festival,” said Glore, while acknowledging that many of the films they include involve African American artists. “There’s a cross-cultural sensibility that reflects what America looks like.”

Which is very good for enlisting sponsors. ”Companies want to align with brands and with what’s the future,” Glore adds.

Among the other films showing this year are Won’t Back Down, about reform at an inner city school starring Viola Davis, Maggie Gyllenhaal and Rosie Perez; The Girl is In Trouble a crime movie starring Columbus Short, boasting executive producer Spike Lee and directed by Julius Onah; and the closing night film, Middle of Nowhere, directed by another Root 100 honoree, Ava DuVerney, who was the first African American to win the director’s prize at Sundance for this movie.

For the complete Urbanworld schedule, click here.

Image: Fernando Leon/PictureGroup via AP IMAGES

Ever rich in culture and activities the borough of Brooklyn will host the 14th annual “Reel Sisters Film Festival” next weekend, October 15th- 16th. The festival sponsored in part by African Voices magazine began over a decade ago to provide exposure for female filmmakers of color. This year’s festival is entitled “From Cleopatra Jones to First Lady Michelle Obama:Exploring Feminism in Film & Media” and will feature  over 25 films over the two-day event, including a free screening of “In Our Heads about Our Hair”, a historical look at how black people view their hair.

For more information on the festival head over to the website: http://www.reelsisters.org/

(The Root) — Living in New York City gives you a perspective of struggle, of hustle — the belief that if you deprive yourself and focus on your craft, you, too, can have it all. Leaving New York, even for a day, can deliver a certain clarity, akin to learning that razor blades are not an effective form of weight loss.  New York is seen as a mecca for culture and diversity — a view that is both our gift and our curse. We are a city wrapped in ourselves; we dwell in our circles and use our friends and interests to reinforce our views of the world. The city keeps a lot of artists suffocated like the roots of a plant that has overgrown its pot.  Darius Clark Monroe, John Goff and I left our tightly woven Bed-Stuy, Brooklyn, community for a much-needed vacation, exchanging our unlimited Metro cards for the highway. My friend Darius’ latest short film, Slow, was in competition at the 2011 Martha’s Vineyard African-American Film Festival.  Slow is the story of two black men who arrange a date after meeting on the Internet. The film had previously premiered at some of the more esteemed gay film festivals, but Martha’s Vineyard was its first foray into the black arena.

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