There’s nothing particularly striking about seeing ordinary photos of a bunch of white people. It’s something we see all the time, frankly, but when those pictures are a part of a 50-portrait exhibit created by a black photographer, it tells you there’s something more to it.
Those are just the basics of New Yorker Myra Greene’s new project, “My White Friends.” In an interview with the New York Times, the photographer explained that with these photos she’s attempting to force people—particularly white people— to see more than just that in the images.
“I’m always thinking about race,” she said. “I recognize it when I’m the only black person in a room. My white friends will notice I’m the only black person, too. But they don’t notice a room full of white people.”
She’s hoping that they’ll notice now because Myra didn’t just take photos of her friends, the entire process opened up a dialogue on whiteness and class, gender, ethnicity, and even religion between her and her subjects.
“It was the first time many people had been asked to do something for their racial identity, even though I’m asked all the time,” she said. “Do they ever recognize they are the norm?”
That’s an incredible question to ask and an answer that’s been pretty clear to Myra since she debuted her post-Katrina exhibit, “Character Recognition,” which featured a series of black-glass ambrotypes, made up of glistening close-ups of her facial features. She had been disturbed by how black residents were left to fend for themselves during the storm and wanted to explore how do people look at blacks and recognize their character. One of her white friends admitted that the exhibit challenged him.
“He told me ‘It’s a weird thing as a white guy not knowing how to think about this stuff. Am I fetishizing it?’”
“I asked him if he thought about whiteness, and he said no. That’s when I decided to do a project on photography and whiteness.”
Myra is now hoping to turn the portraits into a book to keep the discussion going, especially since she’s often not able to show all 50 portraits at one time.
“My fear is that people will only see them as portraits and not as this bigger conversation because people won’t want to look at the whiteness. It’s not until you hear the title ‘My White Friends’ that the conversation begins.”
Take a look at more photos from Myra’s exhibit here. What do you think about this idea?
Brande Victorian is a blogger and culture writer in New York City. Follower her on Twitter at @be_vic.
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